过去企业需要在每台电脑中安装软件，而现在开始引进全新的技术——“云计算”。互联网中的巨大的计算机替代电脑负责进行所有处理，IT产业的版图面临重大的变化，传统的软件产业将被“云”企业所替代。 　　庞大的计算机存在于网络空间，能轻易从任何地方接入，一旦接入，便可利用“云”的飞快的运算速度和性能。 　　“云”的卖点是低廉的费用，即使没有资金实力的企业，也能利用强大的信息处理功能，这具有划时代的意义。 　　将改变企业的经营和每个人的工作方式的“云计算”，我们一起来探讨其中蕴藏的潜力和待解决的课题——新信息革命-云计算技术的冲击

过去企业需要在每台电脑中安装软件，而现在开始引进全新的技术——“云计算”。互联网中的巨大的计算机替代电脑负责进行所有处理，IT产业的版图面临重大的变化，传统的软件产业将被“云”企业所替代。 　　庞大的计算机存在于网络空间，能轻易从任何地方接入，一旦接入，便可利用“云”的飞快的运算速度和性能。 　　“云”的卖点是低廉的费用，即使没有资金实力的企业，也能利用强大的信息处理功能，这具有划时代的意义。 　　将改变企业的经营和每个人的工作方式的“云计算”，我们一起来探讨其中蕴藏的潜力和待解决的课题——新信息革命-云计算技术的冲击

Presented at the Sundance festival, Martyr's Guidebook leaves no illusions – if you tend to be altruistic, you need to be careful. Otherwise, strangers will invade your life, and a wayward, overbearing angel will permanently appear, forcing you to watch Riverdale. Maks Rzontkowski's film is a one-of-a-kind, hilarious animation about how to remain true to yourself in a world of binding labels, false good advice, and toxic guides for every occasion.

Presented at the Sundance festival, Martyr's Guidebook leaves no illusions – if you tend to be altruistic, you need to be careful. Otherwise, strangers will invade your life, and a wayward, overbearing angel will permanently appear, forcing you to watch Riverdale. Maks Rzontkowski's film is a one-of-a-kind, hilarious animation about how to remain true to yourself in a world of binding labels, false good advice, and toxic guides for every occasion.

The end of the 20th Century was considered the end of history, even the end of utopias. With the fall of the Berlin Wall, liberal-democratic capitalism was finally accepted as the preferred socio-political system. Now, in the first half of the 21st Century, the last big utopia of the 1990s has disintegrated. We are faced with the calamities of exploding global warming, new wars that threaten to get nuclear, September 11, financial meltdown, digital control over our lives depriving us of our freedoms, and political populism driven by a depth of cynical self-interest that reveals the unstable nature of democracy itself. Slavoj Žižek is the closest thing philosophy has to a superstar. He returns to the screen with The Pervert’s Guide to Utopias, the third in the celebrated series of films directed by Sophie Fiennes. Through his unique analysis of classic films, mainstream blockbusters, cult B-movies, popular TV series, music videos and political and current events, Zizek provides the essential cognitive mapping for our predicament in these apocalyptic times. “With the rise of new threats, utopias were mostly replaced by dystopias which brought to an end the ongoing catastrophic tendencies,” says Zizek. “Movies became obsessed with some version of global apocalypse and a miserable post-apocalyptic life. But what one should take care to notice is that efforts to depict a new post-apocalyptic society often indulge in imagining a new authentic society of close personal links, without alienated state institutions. One man’s dystopia can be another man’s utopia. For today’s new populist Right, a society where sexism and racism are prohibited can only be a new totalitarian order. Today sexuality is permeated by opposing utopian visions of a new conservative order or the new ‘non-binary’ possibilities. Anarchist utopians think if we abolish the state authority, a new global solidarity will emerge.” Žižek’s matrix of ideas and Fiennes’ visually inventive direction delivers entertainment and revelation in equal measure. The Pervert’s Guide to Utopias does not offer a simple solution or seek to impart some dogma: it enables viewers to make their own choices and, above all, to become aware of the true implications of those choices.

With realistic acumen and artistic expertise, ADIEU LACAN portrays the struggles of a young woman, Seriema, who is trying to understand why her path to motherhood has reached an unbearable impasse. Following two miscarriages and the possible loss of her marriage, Seriema travels to Paris in 1972 to undergo psychoanalytic treatment with the maverick French analyst, Jacques Lacan. Her analysis is an attempt to help her to disentangle the enigma of her question: why has motherhood become a seeming impossibility? Inspired by the story of Betty Milan, a Brazilian psychoanalyst and writer, it follows closely her own actual psychoanalysis with Lacan. Based on her play "Goodbye, Doctor" and her novel "Lacan's Parrot," in which Milan recounts her analytic work, ADIEU LACAN offers an insightful and accurate account of an actual psychoanalytic cure.—Mavis Himes

With realistic acumen and artistic expertise, ADIEU LACAN portrays the struggles of a young woman, Seriema, who is trying to understand why her path to motherhood has reached an unbearable impasse. Following two miscarriages and the possible loss of her marriage, Seriema travels to Paris in 1972 to undergo psychoanalytic treatment with the maverick French analyst, Jacques Lacan. Her analysis is an attempt to help her to disentangle the enigma of her question: why has motherhood become a seeming impossibility? Inspired by the story of Betty Milan, a Brazilian psychoanalyst and writer, it follows closely her own actual psychoanalysis with Lacan. Based on her play "Goodbye, Doctor" and her novel "Lacan's Parrot," in which Milan recounts her analytic work, ADIEU LACAN offers an insightful and accurate account of an actual psychoanalytic cure.—Mavis Himes

您知道拉康吗？许多人认为他是弗洛伊德以来最伟大的精神分析学家？除了神话、传说和有时的诅咒之外，杰拉德·米勒的这部影片让我们能够发现他的作品和他的个性，这要归功于他的病人、他的学生以及他身边的人的证词。 　　拉康出生于20世纪的一个中产阶级天主教家庭，受过训练的精神病学家，具有百科全书式的文化底蕴，毕加索、列维-斯特劳斯和萨特的朋友，拉康是一位杰出的理论家，一位杰出的实践者，他仍然是最现代的、最伟大的理论家。对精神分析学家来说，这是最刺激的，甚至是最硫磺的。 　　导演杰拉德·米勒认识了拉康，感谢他的兄弟雅克·阿兰，他是拉康最忠实的学生，并娶了拉康的女儿朱迪思。亲密而强烈的关系使这部电影与众不同。

您知道拉康吗？许多人认为他是弗洛伊德以来最伟大的精神分析学家？除了神话、传说和有时的诅咒之外，杰拉德·米勒的这部影片让我们能够发现他的作品和他的个性，这要归功于他的病人、他的学生以及他身边的人的证词。 　　拉康出生于20世纪的一个中产阶级天主教家庭，受过训练的精神病学家，具有百科全书式的文化底蕴，毕加索、列维-斯特劳斯和萨特的朋友，拉康是一位杰出的理论家，一位杰出的实践者，他仍然是最现代的、最伟大的理论家。对精神分析学家来说，这是最刺激的，甚至是最硫磺的。 　　导演杰拉德·米勒认识了拉康，感谢他的兄弟雅克·阿兰，他是拉康最忠实的学生，并娶了拉康的女儿朱迪思。亲密而强烈的关系使这部电影与众不同。

NetFlix原创纪录片，本纪录片从布鲁斯与瑞吉的故事拍摄，他们是监狱的受刑人，在狱中为他们未曾承认犯下的谋杀罪名，度过了数年。观众将从他们的视角，窥视美国的监狱体系，导演对此并提出质疑。